The fiction of friendship has sustained a long tradition in Montaigne studies and is no doubt one of Montaigne’s most generous gifts to posterity. Friendship in the Essays is by turns an artistic passion, a civil liberty, and a political profession, metamorphosizing and adapting through the different phases of composition. In this process, the written word remains the most trusted repository.
Montaigne gives a description of himself in the essays that follow the “To the reader”. The description is often not direct but for a part the kind of person he is must be inferred from and gathered from his discussions of all kinds of themes, varying from military affairs, the education of children, friendship, means of transport, etc., etc.
The essays Montaigne wrote between 1572 and his death twenty years later are unlike anything else I have read—a book of one man and a book of the world. They present textual problems because of their author’s technique of revision and accrual over three editions—making new pearls out of old irritations—but they delight because of the breadth and brightness of his being. He allowed for.
In their collections of essays, both Montaigne and Bacon devote one of their longer essays to the subject of friendship—specifically, male friendship. Bacon’s essay followed the one by Montaigne within only a few decades,193 but the pictures of male friendship which the two texts present differ radically from each other. Montaigne’s account of his intimate friendship with the late.
He discusses subjects as diverse as war-horses and cannibals, poetry and politics, sex and religion, love and friendship, ecstasy and experience. But, above all, Montaigne studied himself as a way of drawing out his own inner nature and that of men and women in general. The Essays are among the most idiosyncratic and personal works in all literature and provide an engaging insight into a wise.
If you’d like to read Montaigne in modern English we recommend The Complete Essays translated by M.A. Screech (Penguin, 1993). As well as providing the clearest access to the more conceptually challenging passages, the edition includes an excellent introduction and footnotes revealing Montaigne’s sources. For a highly enjoyable take on his life, thought, and reception we recommend Sarah.
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It was reasonable enough that Montaigne should expect for his work a certain share of celebrity in Gascony, and even, as time went on, throughout France; but he professes, at least in one place of the Essays, to doubt whether they would, owing to changes of taste and diction, outlast fifty years; and it is, at any rate, scarcely probable that he foresaw how his renown was to become worldwide.
John O'Neill reads Montaigne's Essays from their central principle of friendship as a communicative and pedagogical practice operative in society, literature and politics. The friendship between Montaigne and La Boetie was ruled neither by plenitude nor lack but by a capacity for recognition and transitivity. As an essayist, Montaigne is an exemplary practitioner of a technique of difference.