Now I have an apish, imitative quality: when I used to write verses (and I never made any but Latin), they evidently discovered the poet I had last read, and some of my first essays have a little exotic taste: I speak something another kind of language at Paris than I do at Montaigne. Whoever I steadfastly look upon easily leaves some.
OF SOLITUDE. LET US pretermit that long comparison betwixt the active and the solitary life; and as for the fine sayings with which ambition and avarice palliate their vices, that we are not born for ourselves but for the public, let us boldly appeal to those who are in public affairs; let them lay their hands upon their hearts, and then say whether, on the contrary, they do not rather aspire.
Thought As Style: Montaigne’s Essays. By Jared Marcel Pollen. Inventing a literary form is an honor bestowed upon few. We may speak of Don Quixote as the “first novel,” or Emerson as the “father” of American poetry, or Augustine’s Confessions as the earliest example of autobiography, and enjoy doing so because it exercises our desire to create ranks, build consensus and celebrate.
Montaigne’s method for enjoying life twice as much. So what was Montaigne’s method? Near the end of his life, near the end of the last essay he ever wrote, Montaigne boasts that he “enjoy(s) life twice as much as others.” (Montaigne 1957, 1,040) The secret to his success? First, he knows that he has to work at it.
Indians paint it black and tawny, with great swollen lips, big flat noses, and load the cartilage betwixt the nostrils with great rings of gold to make it hang down to the mouth; as also the nether lip with great hoops, enriched with jewels, that weigh them down to fall upon the chin, it being with them a special grace to show their teeth even below the roots.
At once point Montaigne describes the essays as an attempt to keep the “register” of his thoughts. The register in this case is not only the recorded thought, but the moment of the thought itself, its pitch and delivery. “The play is the thing,” says Hamlet, “wherein I’ll catch the conscience of the king.”.
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Montaigne gives a description of himself in the essays that follow the “To the reader”. The description is often not direct but for a part the kind of person he is must be inferred from and gathered from his discussions of all kinds of themes, varying from military affairs, the education of children, friendship, means of transport, etc., etc.
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